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Christine Movie Review

Posted at March 17th, 2023 | Categorised in Top Movies
Christine Movie Review

Discussion Review Christine Movie Review can you read on Top Movies and reviewed by admin

Christine Movie Review – Jean-Luc Godard was only two-thirds correct. The 2.35:1 CinemaScope aspect ratio was good for snakes, funerals… and a frontal shot of flames through the grill of a bloody 1958 Plymouth Fury as it barreled forward down an otherwise pitch-black stretch of road. John Carpenter’s move to tackle Stephen King’s novel in 1983—a year that saw no less than three film adaptations of the ubiquitous author’s books—was undoubtedly an artistically conservative strategy after the critical savagery of his classic remake. A year ago. But both the book and the movie

It seemed to add fuel to the notion that King’s brand of horror was in danger of being overblown 30 years ago, and since then the film’s reputation has burned serious rubber as it puts the pedal to the metal and churns out the most viscerally satisfying King this side. Carrie and The Shining.

Christine Movie Review

Woodman and screenwriter Bill Phillips began by stripping away the book’s most baroque supernatural flourishes, and the Plymouth Fury, bought by teenage geek Arnie Cunningham, dismissed the idea that the Plymouth Fury was “haunted.” novels—support the proposition that he was born to kill. The opening scene of “Bad to the Bone” by George Thorogood and the Wreckers shows an assembly line halted by a series of injuries sustained by workers detailed by Fury, one of whom choked to death after dropping a cigar. laugh at his new places. Decades later, when Arnie tracks Christine down and buys her from George Lebey, Carpenter makes it clear that the car played an active role in destroying Lebey’s life, or at least meeting him in a symbiotic death spiral. It doesn’t take long to imitate Arnie.

Unboxing: Amt Christine 1958 Plymouth Fury 1/25 801

Along with Arnie’s restoration of the wrecked car, Arnie’s personal transformation is depicted as a man redefining himself after attaining a status symbol, more specifically as a desperate pushover, flexing his powers through his teenage hot rod. (If his choice seems anachronistic, note that Arnie’s tormentors may have been transported with Christine from 1958.) His confidence grows, he agrees to the purchase, changes his appearance, and acts accordingly. his temperament. Carpenter pulls off the seduction of the innocent with his confident sleek, side-strung frame. His evocative autocide sequence inevitably takes place at night, casting the light of the shiny lenses on Christine’s headlights into the eerie vastness of negative space. Equally unnerving is Carpenter’s zero-point synthesizer beat on Christine’s doo-wop classic from the radio, as he wafts a rotting Moochie Welch through a maze of concrete pillars with echoes of Thurston Harris’ “Pretty Little One.” listening.

Without going into too much detail, Carpenter repositions the whole concept of the ghost car (actually one of King’s self-parody concepts) as an abstraction of the “supply over demand” ethos of American industrialism. Arnie may be as much of a victim as any of the thugs sent by Christine, but he willingly pays for his humiliation, and the film treats both him and us to some of the strongest pieces of straight-to-commercial filmmaking in Carpenter’s career. It’s a sad irony that it came out at the end of a year saturated with King’s output, and that even the period he admits is regarded as the McDonald’s of modern American literature.

Today, it stands as an eerie depiction of a consumer culture where customers are psychologically malleable and physically interchangeable accessories rather than commodities.

On Blu-ray, Fat looks like lightning, or somewhat close. The Twilight Time transfer boasts strong, bold colors and highlights John Carpenter’s intense shot. The night sequences are otherworldly. The sound mix makes the contrast between the rock ‘n’ roll horns and the roar of Christine’s engines all the more poignant. As an added bonus, Carpenter’s incredible score will be available on a standalone score track.

Adapting Stephen King’s Christine: Is John Carpenter’s 1983 Classic Still Revving Its Engine?

It’s rare for Twilight Time limited editions to provide bonus features, but for fans, they’ve kept a solid collection of extras that accompany Columbia’s previous special edition DVD. (Their presence probably helps explain why the disc sold out in less than a day, and the extras instantly pushed prices past $100. No, my review copy is not for sale.) First, this is full-length audio. Commentary by Carpenter and lead actor Keith Gordon, both very insightful in their explanations, which is understandable given his career transition from acting to directing. They respectfully acknowledge both the comic and the sublime aspects of the film and take pride in their work. The disc also includes a number of deleted scenes (none of which are remotely important) and featurettes that explore behind-the-scenes footage and Carpenter’s account. A rich slate, especially considering Twilight Time’s track record.

Cast: Keith Gordon, John Stockwell, Alexandra Paul, Robert Prosky, Harry Dean Stanton Director: John Carpenter Screenplay: Bill Phillips Distributor: Twilight Runtime: 110 min Rating: R Year: 1983 Release Date: March 12, 2013 Buy : Video , Soundtrack, BookSubscribe: Google Podcasts | Spotify | Amazon Music | Pandora | iHeartRadio | Stitcher | Podchaser | TuneIn | Deezer | RSS | Again

Arnie (Keith Gordon), a mischievous young man, finds his soulmate in the 1958 Plymouth Fury. He rebuilds the car and in turn rebuilds himself as a confident, independent young man.

You will notice that Arnie is now attracted to girls and this makes him a force of nature. But the real force of nature seems to be her car, nicknamed Chris.

Christine (1983) Reviews

Arnie’s mom and dad worry about him, his friends worry about him, and even his hot stuff girlfriend worries about him.

This coming-of-age tale is a reverse scenario of Stephen King’s Carrie, which we reviewed last week, in which a young woman gets her period and then kills her entire school.

E, we see that a man with no will gets that great energy when he finds something to obey, which is a surprising fact for men.

It’s slow, boring at times and a little bland for a film directed by the same guy who brought us Halloween and The Thing.

Late Movie Night: Christine (1983)

I was amazed at how much emotion Carrie had here. Arnie is constantly bullied by bullies at school and his parents are not good. Even the owner of the garage is bullying Arnie. In the end, Arnie finds no strength in himself and takes it into his work. This is an amazingly masculine quality.

Where Carrie finds magic in herself, Arnie finds it in other things. Arnie needs things and others in a very masculine way. He needs acceptance, he needs a girlfriend. He needs Christine. Carrie doesn’t need anyone, she just needs peace. He was with your demon. Arnie has it too.

This is a solid movie about a car that shines. If that sounds like a good time to you, it’s actually something you’ll enjoy.

It goes without saying that I love horror movies. I also enjoy running, hiking, reading (comics, fiction, nonfiction, nonfiction), writing, and spending time with my family. I am usually straightforward and believe that honesty and kindness are the most important things to me. Along with Bryce, I am the co-founder of Horror Movie Talk.

Classic Movie Review

If you’d like to learn more about my taste in horror movies, check out my About page or listen to Episode 14: The Creepy Beginnings of Horror Movies

We use cookies to provide you with the best experience on our website. If you continue to use this site, we hope you will appreciate it. OkPrivacy Policy: Stephen King Cast: Kate Gordon, John Stowell, Alexandra Paul, Robert Prosky, Harry Dean Stanton, Roberts Blossom, Stephen Stone (bit part), Kelly Preston (bit part) Soundtrack: John Carpenter and Alan Howarth

, I decided which song to name this review, but in this case it was the same band. In the end, I fell in love with my car, but really, both are great.)

Like when Queen’s Brian May once teamed up with Eddie Van Halen to record the Star Fleet project, the result was very unique and special.

Christine (1983) Directed By John Carpenter • Reviews, Film + Cast • Letterboxd

), but what sets it apart is that it’s more than just a frame on which to hang some awful schlock. Are not,

It’s the story of Arnie Cunningham, a smart but admittedly mischievous schoolboy who finds a beat-up ’58 Plymouth Fury one day in 1978 and decides to buy it on the spot to restore it. As the semester progresses, Arnie begins to change and shed his awesome shell for his new fearful behavior.

Article About Christine Movie Review can you read on Top Movies and written by admin

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